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Ancient History of the Kurds |
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The issue of Kurdish origins has long been perplexed. Htorical evidence cannot exist for the exact identification of the genesis and the course of evolution of the contemporary Kurdish ethnic identity for the most part because Kurds have being the end-product of numerous immigrations, genetic blends and cultural influences.
An early documentation of the name 'Kurd' appears in Assyrian documents around 1000BC. Assyrians named the inhabitants of Hizan near Lake Van as 'Kurti' or 'Kurkhi'. According to this documentation, it was believed that Kurdish origins trace their roots in the Carduchi population, who resisted the retreat of the Ten Thousand in the 4th century BC. Other documentation is that of the Greek historian Polybius, who refers to Kurds as 'Kurtioi'.
However, the earliest evidence associated to a distinct culture shaped by the inhabitants of the Kurdish mountains is traced during the period of the Halaf Culture (6000BC-5000 BC). Named after the site of Tell Halaf in northeast Syria (today's Syrian Kurdistan), the Halaf Culture was known for its exceptionally sophisticated pottery. Delicately painted and designed, Halaf pottery has been found from Iran to southeast Turkey and it is easily recognizable.
In regards to whether Halaf Culture is indeed the original homeland of the Kurds, archaeologists point out that shared pottery is an effective method to classify prehistoric cultures in the Middle East. By determining the boundaries of Halaf Culture, archaeologists are almost certain that they match with the geographical area that modern Kurds consider their homeland: from Afrin to Lake Van and from Kirmanshah to Adyaman. Besides, it is highly unlikely that the inhabitants of Halaf Culture were immigrants. According to historical and linguistic evidence, the Halafian population was the result of an internal migration that led to the cultural unification in Kurdistan.
The Halaf Culture was followed by the expansion of the Ubaidian Culture (5300BC-4000BC). The Ubaidians developed a mixed culture integrating the earlier influence of the Halaf Culture with their own culture heritage. Their relation to the Kurds is that they named the two main rivers of Kurdistan, Tigris and Euphrates and nearly all the cities that the contemporary world recognizes as Sumerian.
The Ubaidian Culture was followed by the spread of the Hurrian Culture (4300BC-600BC). Spreading into the mountains of Taurus and Zagros, the Hurrians never really expanded far from the mountains, and, according to linguistic evidence, they spoke a language that belongs to the Caucasian family of languages. Around 2500BC, they built larger political and military entities, out of which the most notable were Urartu, Mushku, Subaru and Guti/Qutil. By the end of the Hurrian Culture, Kurdistan had been ethnically and culturally unified.
Today, the city of Mush in northern Kurdistan is named after Mushku; Mount Ararat is the inheritance of Urartu; the Kurdish tribal association of Zubari is named after Subaru. The extraordinary legacy of the Hurrians to the contemporary Kurdish culture is manifested in mythology, religion, martial art and genetics. Religious symbols are ever present in the Kurdish art, while nearly 65 percent of Kurdish names are of Hurrian descent.
However, already since 2000BC invading Aryans had arrived in Mesopotamia. Their influence on the Hurrian population was overwhelming. Religion, architecture, decorative arts, and farming techniques remained relatively unchanged although gradually the Hurrians learned an Iranic dialect and were forced to worship new deities. Almost every aspect of present Kurdish culture can be attributed to the Aryan influence.
Another major influence was that of many Aramaic populations that never settled to Kurdistan, but introduced to the Kurdish culture elements of Judaism and later Christianity. The role of Islam on the Kurdish society is more complex to examine. In Kurdistan, Arab populations settled and assimilated with the Kurds, leaving their genetic imprint in the later Kurd generation, for the most part the darker color. Similarly, Kurdistan had a major cultural influence for Turkic steppe nomads that aimed to Turkify the area.
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Article Source: http://EzineArticles.com/?expert=Christina_Pomoni |